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Highlights

New Works Presentations

Anna Hayat and Slava Pirsky

Ragged Coat

2024

Polaroid Type 51 PN black and white positive- negative film sheet 4 x 5 inch,
Mixed media (print on rice paper, paint, calligraphy) 104 x 82 cm

Ragged Coat

   "Ragged Coat" by Anna Hayat & Slava Pirsky is a layered work that uses powerful visual and symbolic elements to explore the complexities of historical memory and its lasting impact on the present. It reflects the weight of inherited trauma and the protective instincts passed through generations, portraying a child both burdened by the past and sheltered by the resilience of those who came before her.

 

The image of a young girl draped in an oversized, ragged WWII coat intensifies the tension within the photograph. The contrast between her innocence and the coat’s history of suffering evokes fragility and hardship. The oversized garment, far too large for her small frame, symbolizes the burdens of history she is too young to fully comprehend but still bears. This dissonance heightens the surreal quality of the image, suggesting that even those born long after conflict are shaped by its psychological weight. The coat serves as a visual metaphor for inherited trauma, showing how past hardships echo through generations.

 

In Israel, where the artists reside, men and women are conscripted into military service. The image of a young girl in a WWII-era coat resonates in a country where even girls must serve and protect amid ongoing conflict. The coat symbolizes both the trauma of war and the present-day reality of young people bearing the responsibility of safeguarding their country. It represents not just historical burdens, but also the protective instinct that shelters the innocent from harsh realities.

 

What seems at first a reminder of violence and suffering becomes recontextualized as a symbol of survival and protection. In today’s world of conflict, the military overcoat takes on renewed meaning, representing the need to shield the vulnerable. Paradoxically, the oversized garment envelops the child like a shield, guarding her from the world’s cruelty. In this light, the coat transforms from a relic of war into a symbol of compassion, echoing the empathy seen in Renaissance religious art.

 

The girl's outstretched arms and suspended pose evoke vulnerability, drawing a parallel to Christ on the cross. This reference stirs profound emotions—sorrow, empathy, and grace—similar to the feelings evoked by crucifixion imagery. By aligning the girl with this sacred archetype, the artists invite viewers to blend historical trauma, innocence, and survival, creating a powerful emotional response that resonates with both personal and collective grief, redemption, and protection.

 

The girl’s delicate posture, as if she is floating in mid-air, gives her an ethereal, almost otherworldly presence. Her distant expression adds to the contemplative mood, conveying not fear but stillness and reflection, as though she exists beyond the world’s harshness. The image evokes a profound sense of responsibility to protect the innocent, reminding us of the balance between the weight of history and the courage to move forward.

 

The careful use of materials reinforces the image's fragility and historical resonance. Printing the Polaroid photograph on delicate rice paper mirrors the theme of vulnerability, while its traditional use in art and preservation adds depth to the work’s layers. Visible folds and coffee stains add texture, giving the photograph an archival quality, as if preserved like a keepsake from another time. "Ragged Coat" strikes with its understated power, drawing us into a moment where innocence, history, and myth converge in a timeless expression.

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handwriting

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Features the lyrics of Russian poet B. Okudzhava’s song “Ragged Coat” translated by Daniel Kahn.

 

I wore my ragged coat so bare

The tattered sleeves were thin as paper

And so I took it to a tailor

And asked him kindly for repair

I made a joke, and said

"This coat requires total restoration

To bring me glory and salvation

I need your skillful hands to sew!"

 

But then my playful little words

Took on a meaning unintended

As he methodically mended

He seemed disturbed Peculiar bird...

 

And I observed the silent way he worked

To rectify the garment

As though my soul depended on it

This ragged coat, for all my days

 

He thought I'd slip into the sleeve

And I'd believe again so clearly

That somehow you could love sincerely

But that's absurd

Peculiar bird...

details 

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Anna Hayat and Slava Pirsky

Israeli photographers Anna Hayat and Slava Pirsky craft their art using large-format black-and-white Polaroid photographs, taken within the studio and outside of it. These works explore trauma, self-sacrifice, and the fragility of life. Through their lens, they explore facets of Israeli society intertwined with existential challenges, born out of omnipresence of war and terror. People, landscapes, flora, and objects all find their place in their compositions. Departing from strict documentary representation, the artists construct metaphorical imagery that resonates with current events. Anna Hayat and Slava Pirsky have been working together since 1999. Anna was born in Russia, and immigrated to Israel in 1994. She studied photography in The Hadassah Academic College, Jerusalem. Slava was born in Russia, and immigrated to Israel in 1991. For the last 30 years he works at archeological restoring the appearance of historical buildings and objects based on found remains. Now both based in Modi'in-Maccabim-Re'ut, Israel The works of Anna Hayat and Slava Pirsky are photographed in a large format on Polaroid films, from which are developed a negative and positive momentarily after the shot. The chemicals left on the face of the negative at the end of the development process, leave a map of stains and marks, which changes from one negative to the other. This way, the action of controlled photography clears way for the random stains, which add a picturesque volume to the piece. Although this process damages the crisp quality of the image itself, it preserves the magic of analog photography, and gives back some of the aura that was attached to it when it was first seen. The works of Hayat and Pirsky have won numerous prizes, including the Polaroid International Photography Award, IPA (International Photography Association) Award, Award from the Ministry of Immigrant Absorption, Award for portrait photography from the annual World Press Photo exhibition in Israel.

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